ClassiCon Pli Side Table High
  • ClassiCon Pli Side Table High
  • ClassiCon Pli Side Table High
  • ClassiCon Pli Side Table High
  • ClassiCon Pli Side Table High
  • ClassiCon Pli
  • ClassiCon Pli
  • ClassiCon Pli Side Table
  • ClassiCon Pli Side Table
  • ClassiCon Pli Side Table
  • ClassiCon Pli Side Table
  • ClassiCon Pli Side Table

ClassiCon Pli Side Table High

€1,817.00
Availability if not in stock 2 to 3 weeks.
Color tabletop glossy: *
  • Onyx black
  • Pyrite bronze
  • Saphire blue
  • Topas Green
Shipping Costs
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With the Pli Side Table French designer Victoria Wilmotte brings an object of unusual crystalline elegance and astonishing geometry to living environments.

The bends and folds that gave Pli its name almost make the stainless steel base look like an oversized finely polished precious stone.

The four different color versions of the table result from the different duration of the surface treatment which provides the stainless steel with either a green, blue, bronze or black shimmer.

The glossy or satin-finished glass panel is lacquered on its bottom and matches the appropriate color.


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Specifications

Base made of folded, high-gloss polished stainless steel sheet in different colours, tinted with a special method.

Oval tabletop made of crystal glass, colour-lacquered, glossy finished. Gliders in black fel

Size Description

Length: 56cm
Width: 42cm
Height: 65cm

  • Victoria Wilmotte

    Victoria Wilmotte was born in 1985 in Paris, where she studied interior design. She later earned her master’s degree in product design at the Royal College of Art in London. After graduating, she returned to her home town of Paris in 2008 and opened her first design studio, where she created designs for the Tools Gallery in Paris and works for her first solo show in 2009 in the Brussels Gallery Pierre Bergé et Associés. Victoria Wilmotte designed collections for a stone products manufacturer, for the online shop Made in Design, for Philips de Pury and Poliform, and repeatedly created individual designs for private customer projects. Wilmotte’s design process can be compared to that of a sculptor: she weights volumes and empty spaces, removes the material until she finds a perfect angle or ideal curve, and polishes the surfaces to the point when they precisely achieve the structure, haptics and light refraction she seeks.
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