Oluce Colombo 281 Lamp
  • Oluce Colombo 281 Lamp
  • Oluce Colombo 281 Lamp
  • Oluce Colombo 281 Lamp
  • Oluce Colombo 281 Lamp

Oluce Colombo 281 Table Lamp

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Colombo's first project for Oluce, the only one worked on together with his brother Gianni. From then on, the two Colombo brothers clearly separated their fields: Joe left art in which he had shown interesting promise with ''Nucleari'', while Gianni no longer worked in design, becoming one of the leading exponents of the kinetic, programmed movement.

  • The 281 model, created in 1962, was immediately nicknamed ''Acrilica'' due to its surprising conspicuousness and exception innovation of the significant curve made from acrylic.
  • Methacrylate, used for about a decade in the field of lighting, usually in thin sheets that are cut or thermoformed, found a very particular use here: its thickness and curve meant that, thanks to its conduction properties, the light from a fluorescent lamp contained within the painted steel base moved through the transparent body, eventually lighting the head in an incredible way.
  • Due to this ''magical movement'', ''281'' is more a work of kinetic art than a lamp. In 1964, ''Acrilica'' won the gold medal at the XIII Triennial in Milan.

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Table lamp giving indirect and diffused light, laquered steel base and Perspex diffuser.
1 x max 6W

Size Description

Length 26 cm (10.2″)
Height 23 cm (9.1″)

  • Joe Colombo

    Joe Colombo, Cesare Colombo, known by his nickname ‘joe’ , was born in Milan in 1930 as the second of three brothers. Colombo’s several studies show his interest and urge for knowledge in different areas. After studying science he changed to arts at secondary school. later he studied painting and sculpture at the Accademia di belle arti in brera, Milan before studying architecture at the polytechnic. From 1951 to 1955, Joe Colombo worked independently as a painter and sculptor. He joined the 'nuclear painting' movement and later became a founding member of the 'art concrete' group. He came to design relatively late.
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