Northern Lighting Birdy Wall Lamp Long
  •  Northern Lighting Birdy Wall Lamp Long
  •  Northern Lighting Birdy Wall Lamp Long
  •  Northern Lighting Birdy Wall Lamp Long
  •  Northern Lighting Birdy Wall Lamp Long

Northern Birdy Wall Lamp Long

Availability if not in stock 2 to 3 weeks.
Color: *
  • White Steel
  • Black Balck
  • Grey Steel
  • Black Brass
  • Black/Steel
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The Birdy light by Northern Lighting is a re launch of the classic light series designed in 1952 by modernist designer Birger Dahl. It was a much loved Norwegian classic and in 1954 was awarded the Golden Medal at the Milan Triennale.

The series consists of a floor, table and wall lights. Northern Lighting have worked closely with the originals and the Birger family to recreate Birdy maintaining its original shape, and functionality.


Material: Aluminium, steel, brass

 Light source: E27 bulb, max 60W.
Voltage: 220V - 240V ~ 50Hz

This product is CE approved only and should only be used in countries that follow and accept this standard. If it is used elsewhere it will be at the customer's sole risk, responsibility and liability

Size Description

Height 24 cm
Depth 53 cm

  • Birger Dahl

    <p>Award-winning designer Birger Dahl (1916 – 1998) was a pioneer of contemporary Scandinavian lighting. The mid-century years were a formative period of his work, when he forged his signature streamlined style and launched a new vision of lighting design. Dahl’s career had actually begun the previous decade, when he became head of design at Norwegian electronics firm Sønnico and created the award-winning Dokka pendant lamp. Dokka was the first lamp in Norway to receive a Gold Medal award at the prestigious Triennale di Milano, which brought Norwegian lighting under the international spotlight. While acclaimed for his lighting designs, Dahl is also considered to be one of Norway’s leading Post-war interior architects. Strict geometric shapes, such as circles, cones and cylinders, were the building blocks of Dahl’s design vocabulary, which he softened with gentle contours. He emphasised the purity of form, highlighting the shape of the object rather than hiding it behind decorative details or layers of ornamentation. Sensibilities like these explain why his work still appears modern today, and why lighting designs such as Dokka, Birdy and Dahl are so compatible with the interiors of our time</p>
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