Nemo Wall Shadows Long Wall Lamp
Shadow Wall, a wall lamp, was presented by Nemo Ark at Euroluce 2013, as an innovative product. Wall Shadow is a project that arises between art and design by the designer Lebanese of Armenian origin Charles Kapalkian.
Wall Shadow is a panel from the three-dimensional surface, which develops as a dynamic texture, made up of various elements that are illuminated by LED light sources, which are present within, recreate a surface made of a play of light and shadow.
The final effect, particularly addictive and relaxing, is a dynamic framework, where the final result graph is given by the soft light source that produces soft shadows on the plans.
Light Source: LED: -1950 lm - 3000°K - 240V/700mA CC
Power: 21W - 24V DC
Dimmable: 1-10V, push
Energetic Class A+
- Size Description
Width 30 cm
Depth 12 cm
Lenght 120 cm
Charles Kalpakian was born in 1982 in Beirut (Lebanon). Holder of a BTS Design Produit in 2004, he did a product design apprenticeship within the Ora-ïto agency before joining architects Leberre and Guillois as design assistant in 2005 and 2006. He collaborated with Frédéric Ruyant, ChafikDesign and VeniseWorkshop as a desi¬gner and interior designer. He then worked for the Christophe Pillet agency as a designer, then head of the design team, from April 2007 to July 2011. Charles Kalpakian is currently a freelance designer working on projects ranging from furniture, product design, decorative arts and scenography. In April 2011, he participated in the ‘Making of ’ exhibition in Milan organised by Meet My Project. The same year he collaborated with Darenart on a light and vase collection and on the design of the logo for the ‘Colette’ restaurant by Pierre Gagnaire for the Sezz Hotel in Saint-Tropez. In September 2011, as part of Paris Design Week at ‘Docks en Seine,’ he presented the prototype for a wall cabinet inspired by bistable perception, currently presented in a larger, more vertical version known as ‘Kinetism I’ by Galerie BSL (edition of 12 pieces). Charles Kalpakian’s design has three roots: France, Lebanon and the culture of Street Art. These influences are evi¬dent in the reinterpretation of certain motifs from the history of decorative arts (such as French marquetry), and iconic motifs from Lebanese history and geography (such as Lebanese cedar wood), filtered by urban and contem¬porary culture. The stroke is still clean, even if the gesture sometimes resembles writing or calligraphy.