Louis Poulsen PH H 3½-3 Table Lamp Metalissed Brass

Louis Poulsen
Designer: Poul Henningsen
Louis Poulsen PH H 3½-3 Table Lamp Metalissed Brass
Louis Poulsen
Designer: Poul Henningsen
The fixture is designed based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are...more
€987.60
Availability if not in stock approximate 1 week.
€29.95
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Details

The fixture is designed based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of mouth-blown opal three-layer glass, which is glossy on top and sandblasted matt on the underside, giving a soft and diffuse light distribution.

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additional information

Additional Information

Size Description No
Specifications

Finish:
Brass metallised . White opal glass.
Material:
Shades: Mouth-blown white opal glass.
Top plate: Black metallised or high lustre chrome plated, spun brass.
Base: Black metallised or high lustre chrome plated, brass.
Stem: Black metallised or high lustre chrome plated, brass.
Mounting: Cable type: Plastic cord with plug.
Cable length: 2.1m.
Light control: In-line switch on cord.

1 x 40w E14

Class:Ingress protection IP20. Electric shock protection II w/o ground.

designer

Poul Henningsen

Poul Henningsen
Poul Henningsen was born in Copenhagen by the famous Danish actress Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmark from 1911-14, and then at Technical College in Copenhagen from 1914-17. He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he is most famous for. He also expanded his field of occupation into areas of writing, becoming a journalist and an author. For a short period at the beginning of WWII, he was the head architect of the Tivoli Gardens in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation but soon became a vital part of the Danish colony of artists living in Sweden.
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