Gubi Copacabana Lounge Chair
  • Gubi Copacabana Lounge Chair
  • Gubi Copacabana Lounge Chair
  • Gubi Copacabana Lounge Chair

Gubi Copacabana Lounge Chair

€990.91
Contact us for shipping Costs
Contact us for shipping Costs

The Copacabana lounge chair was created in 1955 by Mathieu Mategot and has now been relaunched by Gubi

The construction is based on a curved tubular frame surrounding the round seat and the back made of perforated sheet metal, ending with the continuous rear legs.

The loose cushion is made in leather with matching buttons and piping

More information about the fabrics can be fount here.

Specifications

Black frame (RAL 9005) with seat cushion upholstered in black leather.

More information about the fabrics can be fount here.

Size Description

Height: 70cm
Width: 65cm
Depth: 87cm
Seat height: 33cm

  • Mathieu Matégot

    Mathieu Matégot (1910 - 2001) was a Hungarian designer and architect. After studying at Budapest's school of art and architecture, he settled in France in 1931. He was a volunteer in the French army, was captured and not released until 1944. After returning home, he started producing handmade furniture in Paris. Matégot's organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and furniture designs. He was the first person to combine metal tubing with perforated sheet metal; ritigulle, a technique he patented and also a pairing that particularly characterizes his work.    Like many of his peers Mategot travelled the world in search of inspiration, techniques and upon return transformed these impressions into his own unique designs and interpretations. Wether it was industrial processes or aesthetics, he always collected and interpreted - he even patented and set up his own production to apply these new technologies into his designs, He was a true innovator of his time!        In the 1950's - also the one decade - that he devoted to the design of furniture and interior accessories, he created a wide range of distinctive designs that today is considered iconic and contemporary. To ensure quality in the production of his own designs - Matégot set up two of his own workshops - Société Mategot, one in Paris that employed up to twenty workers and a second in Casablanca, Morocco. Both manufactured in limited numbers for up to 200 items and continued until 1959 when Mategot abruptly ended his production and began his work on tapestry, which he would continue for the rest of his career.
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