To make any lounge setting superior - in a private home or a corporate office - we introduce Oksen by Arne Jacobsen.
Unlike many of Arne Jacobsen's other designs, Oksen™ was not designed for a specific architectural project. It was a product of years of experimenting by Arne Jacobsen. The chair was considered quite rare among critics due to its short original production period as well as its controversial yet powerful expression. The voluminous Oksen represents edge and personality and like its predecessor - the Egg™ - it inhabits a room like no one else.
It took Arne Jacobsen nothing less than five years to develop the Oksen™ design. In contrast to many of his earlier pieces that are characterised by rounded, organic shapes, this easy chair has a much sharper outline.
Arne Jacobsen always wanted to surprise the public and Oksen was a project he repeatedly returned to with many variations in the years 1962-66 before it finally took shape in 1966. Indeed it can be defined as the largest and most distinctive chair that Arne Jacobsen ever designed.
The chair is both distinctive and definite in its language, and the inspiration is clearly the American recliner type that Jacobsen had seen in the United States. In addition, it can be seen as a counter reaction to the perception of Jacobsen as a designer who previously worked with a soft sculptural form. Oksen is also sculptural but in a completely different tight form and designed in a style that is in line between the soft royal furniture and the tighter Oxford furniture in Fritz Hansen's collection.
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3 leather types
- Size Description
Seating Height 43cm
Armrest Height 58cm
Arne Jacobsen (1902-1971) was trained as a bricklayer and graduated from The Technical Society's school in 1924 and Copenhagen Art Academy 1927. In 1928 he received the Academy's gold medal, but prior to this, when only 23, he was awarded a silver medal at the 1925 Paris World Exhibition - the first of numerous honours that became a natural accompaniment to his artistic activities, his untiring search and his brilliant conceptions, made manifest by many successes in competitions at home and abroad. His main works include: town halls in ?rhus, Søllerød, Rødovre and Glostrup, SAS-building (Royal Hotel) in Copenhagen, Munkegårds School in Gentofte, Toms Chocolate Factory in Ballerup, The Danish National Bank headquarters, a sports hall in Landskrona, St. Catherine's College, Oxford and Hamburgerische Elektrizitätswerke's administration building. In 1932, Arne Jacobsen began collaboration with Fritz Hansens Eft. A/S, and over a period of years designed a series of chairs which are now recognised as milestones in the development of modern furniture. They include "The Ant" (1951), "The Egg" (1957), and "The Swann"(1957). But he was also an innovator in other design fields, such as the tableware series "Cylinda-line" in stainless steel. Arne Jacobsen was a professor at the Art Academy, and received honorary doctorates from a number of foreign universities and academies. Cylinda-line was awarded the ID-prize 1967 by The Danish Society of Industrial Design and The International Design Award 1968 by The American Institute of Interior Designers.