XO. An old cognac ? "Kisses and hugs"? No. Look again. Don't try to apply a known pattern. It's a croos and circle. If you like rebus, you can even read it "Cross the line". See ? Now it's obvious. That's what design is all about a new look on things. Putting together forms that do not seem to go along naturally and see that, in fact they do. Like a cross and circle. Simple, graphic - And yet unexpected.
Since the year of its founding in 2002, Slide has been a leading company of outdoor and indoor decoration, lighting design for contract, events and residential areas. Its success is due to its founder, Giò Colonna Romano: his fancy fantasy matches perfectly with his thirty-year know-how in the processing of plastic resins. As a demiurge, Slide creates colourful design objects: starting from a humble material as polyethylene, Slide elevates it to refine high quality design and elegant art objects. The present and the future of Slide is the constantly research for innovation. Slide is always looking for new materials, as the introduction of soft and rigid polyurethane, and it is looking for new shapes, thanks to the collaboration with some of the most famous designers of the world, as Alessandro Mendini, Paola Navone, Stefano Giovannoni, Marcel Wanders, Karim Rashid and Marc Sadler. The first success was the production of luminous bar furniture, which can be the protagonists of unforgettable events and contract that do not want to be unnoticed. Slide constantly grows up in different products and sectors: we acquire and develop the Design of Love collection, we create rental service of furniture, and we look for beauty, with the Slide Art branch. Between artisanship and innovation.
In 1996, Carine Jannin who was then just twenty four years old, decided to create her own publishing house specialized in the design of objects. Her singular and strategic choices, free from all archetypes, allot a central position to the independence of creation. Together with Rachel and Benoît Convers, the established designers of the label, they combine a family trio, precursors in author design. Based on audacious concepts such as the “ made in France ” and objects with dual interpretations, this publishing house blossoms independently and cultivates its differences on the fringe of insidious standardization. The Ibride creations can be recognized at a glance: their references to the animal kingdom, their destructured archetypal shapes, and the graphic stamp of their museum like style, make up their territory of distinction.