Mobles114 editions is a publisher of quality furniture , which leverages 40 years of experience of its team . With a unique and timeless design , spaces for private or public use . Headquartered in Barcelona but with a universal spirit , Mobles114 editions values industrial culture of origin (proximity) and respect for the environment and the preservation of the environment.
A strong international spirit driven by the entire team of managers and internal and external designers that have participated since 1973 : JM Massana , JM Tremoleda, Enzo Mari, Rafael Marquina , Alvaro Siza, André Ricard , America Sanchez, Helena Tremoleda ,Oscar Tusquets , Isamu Noguchi , Martin Azua , Javier Mariscal, Jorge Pensi , Gerard Moline and many others.
Wilhelm Seibel I, establishes the Seibel Britannia Goods Factory in 1895. In 1911 the first branch factory, the Hessischen Metallwerke Gebr. Seibel. The company attains global recognition in 1936 with its Olympia Flatware furnished for the Olympic Village in Berlin.
Thanks to the very healthy economy of the post-war years, staffing increased to almost 1000. In the '50s a major decline in the flatware industry resulted in the demise of almost 90% of all German manufacturers. Thanks to the bold leadership of Herbert Seibel, a grandson of the founder, who steered the company towards design oriented products, a catastrophe was avoided for the Hessische Metallwerke. The company was later renamed to Mono.
In 1996, Carine Jannin who was then just twenty four years old, decided to create her own publishing house specialized in the design of objects. Her singular and strategic choices, free from all archetypes, allot a central position to the independence of creation. Together with Rachel and Benoît Convers, the established designers of the label, they combine a family trio, precursors in author design. Based on audacious concepts such as the “ made in France ” and objects with dual interpretations, this publishing house blossoms independently and cultivates its differences on the fringe of insidious standardization. The Ibride creations can be recognized at a glance: their references to the animal kingdom, their destructured archetypal shapes, and the graphic stamp of their museum like style, make up their territory of distinction.