Lightyears takes pride in creating luminous lighting products that combine tradition and renewal. The core ambition of our collection lies in the fusion of the young and the established. We love the curiosity and boldness of the up-and-coming generation, and we respect the skill and the trained eye of the experienced designers.
This collection offers modern interpretations of everyday lighting products, and we hope that our collection can shed light on new takes on how and where to use contemporary illumination. This season we proudly present three new lamps created by some of Europe's most renowned and talented designers. We hope you'll love them as much as we do.
DESIGN AND CRAFTSMANSHIP THROUGH 3 GENERATIONS
At Bent Hansen we make it a point of honour that the quality of the craftsmanship and the materials shines through, and that our furniture expresses the simplicity and honesty that is forever in fashion.
CEO and designer Henrik Hvid Hansen is the innovative force behind the company Bent Hansen. Surrounded by qualified craftsmen, he has the best opportunities to try out new ideas and test different kinds of leather and textiles.
Through it’s 60 years of experience the company Bent Hansen has always considered solid workmanship of great importance. Back in 1948 Henrik Hvid Hansen’s grandfather, upholsterer Svend Hansen, founded the company. Back then the key competence was restoring old furniture.
In 1967 Svend Hansen’s son, Bent Hansen, took over the company. He expanded the business and started manufacturing interior for restaurants, hotels and ships.
In 1983 third generation, Henrik Hvid Hansen was ready to enter the family company. As an upholsterer like his father and grandfather before him and deeply fascinated by modern design Henrik has turned Bent Hansen into a modern design company with its own line of furniture design and home accessories.
In 1996, Carine Jannin who was then just twenty four years old, decided to create her own publishing house specialized in the design of objects. Her singular and strategic choices, free from all archetypes, allot a central position to the independence of creation. Together with Rachel and Benoît Convers, the established designers of the label, they combine a family trio, precursors in author design. Based on audacious concepts such as the “ made in France ” and objects with dual interpretations, this publishing house blossoms independently and cultivates its differences on the fringe of insidious standardization. The Ibride creations can be recognized at a glance: their references to the animal kingdom, their destructured archetypal shapes, and the graphic stamp of their museum like style, make up their territory of distinction.