Lapalma

Lapalma’s success has been achieved step by step throughout the years. No overnight success stories here - just hard work and passion in equal measure. The company’s story begins in the 1980s, when founders the Marcato brothers decided to go into business on their own. Their initial idea developed rapidly and Lapalma was established soon after, showing from the outset a preference for natural, recyclable materials. Following investments in machinery, Lapalma took advantage of the availability of new materials to develop a wide range of products for the contract market, which quickly demonstrated the brand’s appeal, attracting buyers on major projects worldwide for hotels, shops, museums and airports.

Enea

ENEA was founded in 1984 with its first participation in the FIM Trade Fair in Valencia (Spain), and showed a clear vocation to offer a modern design product that would be ideal for all kind of areas (private interiors; offices; hotels and restaurants; auditoriums, conference halls...).

Nude

Nude is the creator and manufacturer of contemporary glassware for modern living. Nude looks at life through the lens of simplicity; de cluttering and distilling, marrying form with function, always reflecting the lifestyle of less-ordinary people. Nude transcends the traditional boundaries of glassware treating the whole home as one sensuous and pleasurable space.

Qeeboo

QEEBOO: IL DOLCE STIL NOVO During the 14th century, a small group of young poets from Florence (Guido Cavalcanti, Guido Guinizzelli, Lapo Gianni, Dante Alighieri, Cino da Pistoia) were the first to stop the Middle Age with its dogmatic and useless theologies in order to talk about Love, about Women (which may have never even existed, just like Petrarca’s Laura), about their diversity from the Byzantines, becoming witnesses of a generation without a clear destiny… By inventing the Women, they also invented the New Men. Dante, the Father, coined for them this magical name, which changed not only poetry but also the history of the world… As a matter of fact, all great things always come from little ones, apparently useless and redundant; from a title and sometimes by chance. The Dolce Stil Novo of Design is founded on a figurative and narrative matrix, completely different from the one of the commercial markets, but maybe even more invasive than that, herald of a new feminine and masculine sensitivity: less testosterone, more irony, more simplicity. An innocent Design and therefore braver.

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