House Doctor is a family-run interior design business with its own consulting room in Denmark and dealers around the world.
The company is run by three playful siblings – Rikke Juhl Jensen, Gitte Juhl Capel, and Klaus Juhl Pedersen. They all share a creative gene and a belief in the fact that beautiful interiors enhance your passion for life.
The family trio ran a successful industrial design business for a few years. But ideas for new products quickly started to emerge – and in 2001 House Doctor was born.
Over time, new additions have arrived in the House Doctor family – people with a passion for developing the brand. At our head office in Ikast in Mid-Jutland, 50 dedicated house doctors work on tracking current trends and designing new, luxurious interior accessories for the contemporary home and other design emergencies.
The moulds had been scrapped: all that remained were the drawings or, at the most, some reject pieces.
But since these were products like Joe Colombo’s Multichair or Rodolfo Bonetto’s 4/4, we couldn’t accept their loss. And so, B-LINE’s beginnings were dictated more by a gut feeling than a rational calculation: we wanted to restore splendour to objects that, because they were ingeniously simple and aesthetically interesting, were intrinsically precious.
This was all happening in 1999.
From then on, our ambitions regarding good designing came to fruition in the form of international collaborations and, besides the several items we consider heritage (see the item Boby), we manufacture furnishing products for the home, office and contract. The materials we use are plastic, steel, fabric and wood and we are extremely flexible where the technologies to be deployed are concerned.
In this quest of ours for the perfect combination between versatility, originality and functionality, we involved both the creative genius of Karim Rashid as well as the Zen essentiality of Kazuhide Takahama or perhaps the inspiration of a newcomer at his debut: what absolutely counts for us is the quality of the design. Having singled that out, B-LINE’s team and the designers work hand in hand through to the selection of materials, covering all technical aspects, to turn out products entirely made in Italy.
In 1996, Carine Jannin who was then just twenty four years old, decided to create her own publishing house specialized in the design of objects. Her singular and strategic choices, free from all archetypes, allot a central position to the independence of creation. Together with Rachel and Benoît Convers, the established designers of the label, they combine a family trio, precursors in author design. Based on audacious concepts such as the “ made in France ” and objects with dual interpretations, this publishing house blossoms independently and cultivates its differences on the fringe of insidious standardization. The Ibride creations can be recognized at a glance: their references to the animal kingdom, their destructured archetypal shapes, and the graphic stamp of their museum like style, make up their territory of distinction.