Carl Hansen & Søn ML10097 Egyptian Table
  • Carl Hansen & Søn ML10097 Egyptian Table
  • Carl Hansen & Søn ML10097 Egyptian Table

Carl Hansen & Søn ML10097 Egyptian Table

€1,981.00
Availability if not in stock approximate 6 weeks
Finish: *
  • Oak Oil
  • Oak White Oil
  • Oak Lacquer
  • Walnut Oil
  • Walnut Lacquer
Size: *
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Mogens Lassen first exhibited this round coffee table, inspired by folding stands found in Tutankhamen's tomb in 1922, at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.

The elegant Egyptian Table easily collapses for storage with the release of a small brass sliding latch beneath the tabletop - a flexible design that exemplifies the functionalism inherent in classic furniture types. For Lassen and his contemporaries, function was paramount. Their approach - strongly influenced by Kaare Klint - often began with the careful study and refinement of long-existing archetypes such as safari-style knockdown chairs, British Windsor and Chippendale chairs, and flexible, practical tables like the Egyptian Table.

These clear, proven furniture types appealed to mid-century design and architecture visionaries, upholding their core belief that intelligent, purposeful design never goes out of style.

The base is crafted from solid wood and features a veneered table top. 

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Specifications

Table top Veneer
Table base Solid wood

Size Description

Height 54cm|
Diameter 85/100cm

  • Mogens Lassen

    Having trained as a bricklayer in 1919-23, Mogens Lassen was admitted to the Royal Danish Academy of Fine Arts' School of Architecture, but also trained at a number of drawing offices with, among others, Danish architect Tyge Hvass in 1925-34. A trip to Paris in 1927-28 sparked Lassen's interest in Le Corbusier's ideas about the home as a tool for a freer lifestyle. Introducing mezzanine floors in high-ceilinged rooms, for example, offered one way to free the home from the constraints of habitual thinking. Applying a similar, experimental approach, Lassen designed homes where both function as well as the daylight flooding in through the windows shaped the rooms, and where outdoor spaces were just as carefully designed as the interiors.
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